ISHQIYA MOVIE REVIEW!

ISHQIYA MOVIE REVIEW

Rating - 3.5/5

Director : Abhishek Chaubey
Music : Vishal Bhardwaj
Lyrics : Gulzar, Ajinkya Iyer
Starring : Naseeruddin Shah, Arshad Warsi, Vidya Balan

Ishqiya a extremely recital oriented and each artist from the cast is outstanding. Undoubtedly this is amongst Vidya Balan’s best works. Adil Hussain performed a strong negative lead. Salman Shahid (artist in Kabul Express) is also an appealing personality and To see Naseeruddin Shah convey in a hunky role is a enchantment. Arshad Warsi is showing his rudiments and this is his career-best act.

Story of Ishqiya is based on two rouges Khalujaan (Naseeruddin Shah) and Babban (Arshad Warsi) both are dodging from their boss Mushtaq (Salman Shahid). Both have no option to go ,so they look for place of safety in a friend’s house and in its place they meet his widow Krishna (Vidya Balan).

Ishqiya

Gradually and progressively Babban and Khalujaan are fascinated headed for Krishna(vidya) who uses her female attraction to seduce them individually and cunningly. Together they planned (Babban,Khalujaan and Krishna) to kidnap an businessman (Rajesh Sharma) for payoff but there’s more to the plot theory and the chemistry between Vidya Balan and Arshad Warsi is sensuously saunter during thier sexual allegory as well as bodily closeness.

Ishqiya narrating a very saucy and straight movie and, unlike Kaminey, doesn’t gets knotty or complicated in its storytelling. Abhishek Chaubey(Director) has a frolicsome come close to flirty and fresh to picture making. . The timing of comic and fun between Arshad and Naseeruddin is extremely amazing and perfect. Naseer has played a real immature feeling in the song ‘Dil To Bachcha Hai Ji’

In addition the attraction between Naseeruddin and Vidya is more dexterously developed amidst the aged humanity attraction of traditional songs of S.D.Burman and Hemant Kumar. Defiantly Burman’s seductive and spiky number ‘Dhanno ki aankho mein’ is engaged to show the envy in Arshad’s spirit.

The for the most part remarkable scene in the film is to take in the opportunity credit string and the argument sight between Naseeruddin and Arshad in the direction of the climax, which is strangely responsive and argumentative at the same time. In the sequence, Naseeruddin show astonishingly where he feels embittered by friend and betrayed by love.